Destroyed forest landscapes reappear as image-bearing surfaces, returning to the sites from which they originate. Photographs—overlaid with the chromatic residue of exposed soils and altered through chemical and manual intervention—oscillate between erosion and inscription. Transferred onto wooden discs, image and material converge in a temporary state, where traces of extraction and transformation become indistinguishable. Within »Als sich Nichts auftat« (When Nothing Opened Up), a fragile loop unfolds, in which the act of destruction is momentarily folded back into its own material presence.
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