The moor unfolds as a landscape shaped by disturbance, memory, and suspended regeneration. Once defined by moisture and slow growth, it now appears caught between depletion and resilience—where natural processes and human intervention intertwine. In »ödes land« (desolate land), the camera approaches this fragile environment as an interplay between documentary witnessing and quiet admiration. In the mirror of ecological processes, the images evoke a tension in which the landscape seems both exposed and withdrawn. A visual space emerges in which the traces of human presence are perceptible. A slowed-down perception emerges, revealing the fragility of the terrain—and its future remains open.
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