Transparente Unverfügbarkeiten (2024) — Natural materiality emerges as a reciprocal imprint in various places, with the glass plate at the work's core—placed in the forest to gather nature's traces. This plate captures fleeting impressions in its transparency, becoming a visible fragment of its environment. Through »Transparente Unverfügbarkeiten« (Transparent Unavailabilities), a direct impression process on paper offers further insight into the forest's hidden dynamics. The glass plate’s transparency highlights the fragility of natural processes, while the incomplete traces underscore nature’s transience, showing how even a foreign object affects its surroundings and revealing a universal narrative of nature.
